ged rla practice test

A a high school equivalency exam designed for individuals who did not graduate from high school but want to demonstrate they have the same knowledge and skills as a high school graduate

Excerpt from The Musician's Daughter by Susanne Dunlap I thought a lot, at the beginning, about my father playing the violin. I still remember the first time I ever saw a concert. I was very small, and we had just come to Esterhaza, a magnificent palace in Sopron, Hungary, when the prince's household moved there from his winter palace, at Eisenstadt, near Vienna. I think it may have been the first concert Papa took part in there. I had a new dress for the occasion, and Mama looked beautiful. I don't think Toby was born yet, or if he was, he was a small baby and stayed in our rooms with a nurse. The palace at Esterháza was so new that it still smelled of raw wood and paint. The rooms were very grand. I had never seen so many candles in one place before. And they were expensive wax candles, not foul-smelling tallow. We stood to the side to watch the fine ladies enter. I thought they looked like dolls; their faces were so perfect. Later my mother told me that they painted them with white lead to make their skin artificially smooth and pale, and then rubbed rouge into their cheeks and lips, and drew lines of charcoal around their eyes so they would appear larger. And the headdresses-in those days the fashion was to have hair that towered up, stuck into place with diamond combs, with ribbons and pearls festooned around. And no matter what color it was naturally, ladies powdered their hair to snowy whiteness, so that the light of the candies was magnified by the glow from the people themselves. And the men, too, were powdered and patched. Their gold buttons and lace were almost as gaudy as the ladies' finery. But the enormous panniers that held the ladies' skirts out to the side so far that they had to move sideways through doorways fascinated me most of all. I could barely be persuaded to turn my eyes to the orchestra when the concert started. We were not seated with the guests. In fact, I think we were tucked away in an anteroom. The door was open so we could see through, and everyone pushed me forward to let me watch my father, who looked up now and again from the music and gave me a quick smile. The candlelight danced over the rich wood of his violin, the beautiful Italian instrument, an old Amati, that my grandfather had given him. Kapellmeister Haydn-who was also my godfather-sat at the harpsichord, smiling broadly all the time, waving one hand in the air to direct, then putting it back on the keys and instead using his head, bobbing and nodding to bring the winds in, or to indicate the entrance for the cellos. He looked like the music, 1 remember thinking. I wish I could bring that particular sound to my mind, but it has since blended with countless, other concert. I’ll always remember what it looked like, though. The light shimmering glow of everything and everyone.
What is one theme of this excerpt?
  • A. Wealth is not always determined by money.
  • B. Early music education builds character.
  • C. Personal appearances do not always indicate worth.
  • D. Early memories are enduring.
Correct Answer & Rationale
Correct Answer: D

The theme of enduring early memories highlights how formative experiences shape our identities and perceptions throughout life. This notion resonates with many, as childhood memories often leave lasting impressions. Option A, while insightful, suggests a focus on wealth, which is not the primary theme. Option B addresses music education, which may be relevant but does not capture the essence of memory. Option C discusses appearances and worth, diverging from the central idea of memory's lasting impact. Thus, the emphasis on early memories aligns most closely with the excerpt’s theme.

Other Related Questions

This law amends the Civil Rights Act of 1964 so that discriminatory intent is recognized even if the events of intention occur outside the statute of limitations. What can readers infer from this sentence?
  • A. Ledbetter waited to file her claim.
  • B. Ledbetter's lawsuit created significant change.
  • C. Ledbetter's employer ignored the existing law.
  • D. Ledbetter felt cheated by her employer
Correct Answer & Rationale
Correct Answer: B

The statement indicates that this law addresses discriminatory intent beyond the statute of limitations, suggesting that Ledbetter's case had a significant impact on civil rights legislation. This implies that her lawsuit led to important changes in how discrimination is addressed legally. Option A is incorrect because it focuses on the timing of Ledbetter's claim rather than the implications of the law. Option C suggests negligence on the employer's part, which is not directly inferred from the statement. Option D, while it may be true, does not reflect the broader legal implications highlighted in the sentence. Thus, the emphasis is on the transformative effect of Ledbetter's lawsuit.
Which claim made by the author is unsupported in the article?
  • A. People want landfills located as far from their homes and businesses as possible.
  • B. The Gregory brothers' company is different from other trash disposal companies.
  • C. The Gregory brothers reach out to the community in numerous ways.
  • D. Some trash disposal companies act in their own self-interests.
Correct Answer & Rationale
Correct Answer: A

Option A lacks direct evidence in the article, making it unsupported. While the desire for landfills to be distant from homes is a common sentiment, the article does not provide specific claims or data to back this assertion. Option B is supported by the article, which highlights unique practices of the Gregory brothers' company compared to others in the industry. Option C is also backed by examples of community outreach mentioned in the text, illustrating the brothers' engagement efforts. Option D is substantiated through discussions of industry practices, indicating that some companies prioritize self-interests over community needs.
Which aspect of the evening does the narrator claim she finds most captivating?
  • A. the style of the ladies' skirts
  • B. her godfather's nodding head
  • C. her father's antique violin
  • D. the elegance of the headdresses
Correct Answer & Rationale
Correct Answer: A

The narrator is particularly drawn to the style of the ladies' skirts, highlighting how their fashion captures her attention and evokes a sense of admiration. This focus on skirts reflects a deeper appreciation for beauty and artistry in the evening's atmosphere. Option B, her godfather's nodding head, is a more passive observation and lacks the emotional engagement present in her fascination with the skirts. Option C, her father's antique violin, while significant, does not hold the same captivating allure as the skirts. Lastly, option D, the elegance of the headdresses, is appealing but secondary to the skirts, which are emphasized as the primary source of her captivation.
What can the reader infer about the Gregory brothers from the sentence 'They chose to take themselves out of the fight' in paragraph 2 of the article?
  • A. They wanted to reinvent how a landfill business operates.
  • B. They decided to follow legal requirements ignored by other landfill owners.
  • C. They decided to leave the landfill business altogether.
  • D. They wanted to present their model for running a landfill to state and county officials.
Correct Answer & Rationale
Correct Answer: A

The phrase "They chose to take themselves out of the fight" suggests a deliberate decision to step away from conflict, indicating a desire to innovate rather than engage in traditional practices. Option A aligns with this inference, as it implies a focus on reinventing operations. Option B is incorrect because it does not specifically address the brothers’ intent to innovate but rather suggests compliance with existing laws. Option C misinterprets their action as leaving the business entirely, which is not supported by the context. Option D suggests they aimed to showcase their model, but the phrase indicates withdrawal from conflict rather than active presentation.