Excerpt from Don Quixote
by Miguel de Cervantes Saavedra
translated from the Spanish by John Ormsby
1. At this point they came in sight of thirty or forty windmills that were on the plain, and as soon as Don Quixote saw them he said ta his squire, "Fortune is arranging matters for us better than we could have shaped our desiress ourselves, for look there, friend Sancho Panza, when thirty or more monstrous giants present themselves, all of whom I mean to engage in battle and stay, and with whose spoils we shall begin to make our fortunes; for this is righteous warfare, and it is God's good service to sweep so evil a breed from off the face of the earth."
2. "What giants?" said Sancho Panza.
3. "Those thou seest there." answered his master; "with the long arms, and some nave them nearly two leagues long.'
4. "Lock, your warship," said Sancho, "what we see there are not giants but windmills, and what seem to be their arms are the sails that turned by the wind make the millstone go."
5. "It is easy to see," replied Don Quixote, "that thou art not used to this business of adventures those are giants; and it thou art afraid, away with thee out of this and betake thyself to prayer while I engage them in fierce and unequal combat.
6. So saying, he gave the spur to his steed Rocinante, heedless of the cries his squire Sancho sent after him, warning him that most certainty they were windmills and not giants he was going to attack. He, however, was so positive they were giants that he neither heard the cries of Sancho, nor perceived, near as he was, what they were, but made at them shouting, "Fly not, cowards and vile beings, for a single knight. attacks you."
7. A slight breeze at this moment sprang up, and the great sails began to move, seeing which
Don Quixote exclaimed, “Though ye flourish more arms than the giant Briareus, ye have to
reckon with me.â€
8. So saying, and commending himself with all his heart to his lady Dulcinea, imploring her to support him in such a pert, with lance in rest, and covered by his buckler, he charged at Rocinante's fullest gallop and fell upon the first mill that stood in front of him, but as he drove his lance point into the sail the wind whirled it round with such force that it shivered the lance to pieces, sweeping win it horse and rider, who went rolling over on the plan, in a sorry condition. Sancho hastened to his assistance as fast as his donkey could go, and when he came up found Don Quixote unable to move, with such a shock had Rocinante fallen with him
9. “God bless me!" said Sancho. "Did I not tell your worship to mind what you were about, for they were only windmills? And no one could have made any mistake about it but one who had something of the same kind in his head."
10. “Hush, friend Sancho," replied Don Quixote, "the fortunes of war more than any other are liable to frequent fluctuations; and moreover I think, and it is the truth, that that same sage Friston who carried off my study and books, has turned these giants into mills in order to rob me of the glory of vanquishing them, such is the enmity he bears me; but in the and his wicked
A slight breeze at this moment sprang up, and the great sails began to move, seeing which Don Quixote exclaimed, 'Though ye flourish more arms than the giant Briareus, ye have to reckon with me.' According to Greek legend, Briareus was a giant with a hundred arms and fifty heads who helped the gods in battles against foes. How does the author's comparison of the windmills to mythological giant function in the excerpt?
- A. The comparison advances the author's perspective about the dangers involved in acting before considering the consequences
- B. The comparison supports the author's characterization of Don Quixote as brave but misguided.
- C. The comparison advances the author's view that helping someone in need is an indication of true friendship.
- D. The comparison supports the author's purpose of showing the foolishness of Don Quixote for attacking windmills
Correct Answer & Rationale
Correct Answer: B
The comparison to Briareus highlights Don Quixote's bravery and misguided perception of reality. By equating the windmills to a formidable giant, the author emphasizes Don Quixote's noble intentions but also his delusions, showcasing his valor in the face of imaginary threats. Option A misinterprets the focus on bravery, as the excerpt centers more on Don Quixote's misconceptions than on the consequences of actions. Option C is irrelevant, as the passage does not address friendship or helping others. Option D, while touching on foolishness, overlooks the deeper characterization of Don Quixote's courage amidst his folly.
The comparison to Briareus highlights Don Quixote's bravery and misguided perception of reality. By equating the windmills to a formidable giant, the author emphasizes Don Quixote's noble intentions but also his delusions, showcasing his valor in the face of imaginary threats. Option A misinterprets the focus on bravery, as the excerpt centers more on Don Quixote's misconceptions than on the consequences of actions. Option C is irrelevant, as the passage does not address friendship or helping others. Option D, while touching on foolishness, overlooks the deeper characterization of Don Quixote's courage amidst his folly.
Other Related Questions
Drag and drop the events into the chart to show the order in which they occur in the story.
- A. Burl has trouble falling asleep.
- B. Burl notices his honey jars are lined up perfectly.
- C. Burl makes a delivery in town.
- D. Burl realizes that someone is stealing his honey.
Correct Answer & Rationale
Correct Answer: C, B, D, A
The sequence begins with Burl making a delivery in town (C), which sets the stage for the events that follow. Upon returning, he notices his honey jars are lined up perfectly (B), indicating something unusual has occurred. This observation leads him to realize that someone is stealing his honey (D), prompting concern about the situation. Finally, the story culminates with Burl having trouble falling asleep (A), likely due to his worries about the theft. Options A, B, and D are out of order as they depend on the delivery and the subsequent realization of the theft, which must occur before Burl's sleeplessness.
The sequence begins with Burl making a delivery in town (C), which sets the stage for the events that follow. Upon returning, he notices his honey jars are lined up perfectly (B), indicating something unusual has occurred. This observation leads him to realize that someone is stealing his honey (D), prompting concern about the situation. Finally, the story culminates with Burl having trouble falling asleep (A), likely due to his worries about the theft. Options A, B, and D are out of order as they depend on the delivery and the subsequent realization of the theft, which must occur before Burl's sleeplessness.
With him she bravely threw off the British yoke, felt every pulsation of his heart for freedom, and inspired the glowing eloquence that maintained it through the century.' How would replacing the word 'yoke' with the word 'governance' affect the meaning of this sentence?
- A. it would add urgency for Americans to replace British laws with more republican ones
- B. it would strengthen the legitimacy of the American cause against the British.
- C. it would shift the blame for starting war from the British to the early Americans.
- D. it would weaken the idea that the British acted like masters of the Americans.
Correct Answer & Rationale
Correct Answer: D
Replacing "yoke" with "governance" would weaken the idea that the British acted like masters of the Americans. "Yoke" conveys oppression and subjugation, emphasizing the burden imposed by British rule. In contrast, "governance" suggests a more neutral or structured form of authority, diminishing the sense of tyranny inherent in the original term. Option A misinterprets the context, as urgency is not directly related to the term change. Option B incorrectly assumes that "governance" would enhance legitimacy, which it wouldn't. Option C wrongly shifts blame, as the focus remains on British oppression rather than American actions.
Replacing "yoke" with "governance" would weaken the idea that the British acted like masters of the Americans. "Yoke" conveys oppression and subjugation, emphasizing the burden imposed by British rule. In contrast, "governance" suggests a more neutral or structured form of authority, diminishing the sense of tyranny inherent in the original term. Option A misinterprets the context, as urgency is not directly related to the term change. Option B incorrectly assumes that "governance" would enhance legitimacy, which it wouldn't. Option C wrongly shifts blame, as the focus remains on British oppression rather than American actions.
The rooms were very grand. How would the meaning of this sentence be changed if the word 'grand' were replaced with 'large'?
- A. The sentence would describe the size of the room but not their magnificence.
- B. The sentence would provide information about the historical period in which these rooms were used.
- C. The sentence would offer insight into the particular decorations of the rooms but not the dimensions.
- D. The sentence would refer to the number of people the rooms would accommodate.
Correct Answer & Rationale
Correct Answer: A
Replacing "grand" with "large" alters the focus of the description. "Grand" conveys a sense of magnificence, elegance, and impressive beauty, while "large" simply indicates size without any connotation of splendor. Thus, option A accurately reflects that the sentence shifts from describing both size and magnificence to solely addressing size. Option B incorrectly suggests a historical context, which isn't implied by either term. Option C misinterprets the focus on decorations rather than size. Option D mistakenly assumes a focus on capacity, which is not relevant to the original meaning about the rooms.
Replacing "grand" with "large" alters the focus of the description. "Grand" conveys a sense of magnificence, elegance, and impressive beauty, while "large" simply indicates size without any connotation of splendor. Thus, option A accurately reflects that the sentence shifts from describing both size and magnificence to solely addressing size. Option B incorrectly suggests a historical context, which isn't implied by either term. Option C misinterprets the focus on decorations rather than size. Option D mistakenly assumes a focus on capacity, which is not relevant to the original meaning about the rooms.
Burl refers to the thief as an 'artiste' in the story because
- A. the thief arranges the jars in patterns.
- B. the thief scrawls a drawing on the back of an IOU.
- C. the thief leaves beautiful objects rather than money.
- D. the thief avoids getting caught by being creative.
Correct Answer & Rationale
Correct Answer: A
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.