Excerpt from The Musician's Daughter
by Susanne Dunlap
I thought a lot, at the beginning, about my father playing the violin. I still remember the first time I ever saw a concert. I was very small, and we had just come to Esterhaza, a magnificent palace in Sopron, Hungary, when the prince's household moved there from his winter palace, at Eisenstadt, near Vienna. I think it may have been the first concert Papa took part in there. I had a new dress for the occasion, and Mama looked beautiful. I don't think Toby was born yet, or if he was, he was a small baby and stayed in our rooms with a nurse.
The palace at Esterháza was so new that it still smelled of raw wood and paint. The rooms were very grand. I had never seen so many candles in one place before. And they were expensive wax candles, not foul-smelling tallow. We stood to the side to watch the fine ladies enter. I thought they looked like dolls; their faces were so perfect. Later my mother told me that they painted them with white lead to make their skin artificially smooth and pale, and then rubbed rouge into their cheeks and lips, and drew lines of charcoal around their eyes so they would appear larger. And the headdresses-in those days the fashion was to have hair that towered up, stuck into place with diamond combs, with ribbons and pearls festooned around. And no matter what color it was naturally, ladies powdered their hair to snowy whiteness, so that the light of the candies was magnified by the glow from the people themselves.
And the men, too, were powdered and patched. Their gold buttons and lace were almost as gaudy as the ladies' finery. But the enormous panniers that held the ladies' skirts out to the side so far that they had to move sideways through doorways fascinated me most of all. I could barely be persuaded to turn my eyes to the orchestra when the concert started.
We were not seated with the guests. In fact, I think we were tucked away in an anteroom. The door was open so we could see through, and everyone pushed me forward to let me watch my father, who looked up now and again from the music and gave me a quick smile. The candlelight danced over the rich wood of his violin, the beautiful Italian instrument, an old Amati, that my grandfather had given him. Kapellmeister Haydn-who was also my godfather-sat at the harpsichord, smiling broadly all the time, waving one hand in the air to direct, then putting it back on the keys and instead using his head, bobbing and nodding to bring the winds in, or to indicate the entrance for the cellos. He looked like the music, 1 remember thinking. I wish I could bring that particular sound to my mind, but it has since blended with countless, other concert. I’ll always remember what it looked like, though. The light shimmering glow of everything and everyone.
sselect two of the four details from the excerpt into the chart to show which main idea each supports. 1. The narrator is imaginative. 2. The narrator is observant.
- A. The narrator thinks the director looks like the music.
- B. The narrator notices the candlelight reflected off the violin.
- C. The narrator stands to the side while the ladies pass by.
- D. The narrator has a new dress for the concert.
Correct Answer & Rationale
Correct Answer: A, B
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Other Related Questions
According to paragraphs 1 and 2 of 'The Letter of the Law,' Lilly Ledbetter worked for Goodyear for nearly 20 years; however, conflict arose in 1998 when Ledbetter was nearing retirement. What can the reader infer from the information in these paragraphs?
- A. Women at Goodyear received fewer promotions than men.
- B. Male supervisors were indifferent about the salaries paid to the female supervisors.
- C. Company policy made it easier for Goodyear to violate the law.
- D. Female employees performed less strenuous tasks than their male counterparts
Correct Answer & Rationale
Correct Answer: C
The inference that company policy made it easier for Goodyear to violate the law aligns with the context of conflict arising as Lilly Ledbetter approached retirement. This suggests systemic issues that may have facilitated unfair practices. Option A, while plausible, lacks direct evidence from the text regarding promotions. Option B assumes indifference without supporting details about supervisors’ attitudes toward salaries. Option D inaccurately generalizes the nature of tasks assigned to female employees, which is not mentioned in the paragraphs and does not directly relate to the conflict described.
The inference that company policy made it easier for Goodyear to violate the law aligns with the context of conflict arising as Lilly Ledbetter approached retirement. This suggests systemic issues that may have facilitated unfair practices. Option A, while plausible, lacks direct evidence from the text regarding promotions. Option B assumes indifference without supporting details about supervisors’ attitudes toward salaries. Option D inaccurately generalizes the nature of tasks assigned to female employees, which is not mentioned in the paragraphs and does not directly relate to the conflict described.
Why does the author mention Lissa in paragraph 5?
- A. to show that Burl is frustrated over losing money
- B. to foreshadow Burl's anxieties about his business
- C. to portray Burl's real feelings toward the thief
- D. to emphasize how Burl finds himself deep in thought
Correct Answer & Rationale
Correct Answer: D
The mention of Lissa in paragraph 5 serves to emphasize how Burl finds himself deep in thought. This moment reflects his internal struggle and contemplation, highlighting the emotional weight of the situation. Option A incorrectly suggests that the focus is on Burl's frustration over financial loss, which is not the primary concern in this context. Option B misinterprets the mention of Lissa as a foreshadowing of anxieties, whereas the text focuses more on Burl's immediate reflections. Option C inaccurately implies that Lissa's mention reveals Burl's feelings toward the thief, diverting attention from his introspective state.
The mention of Lissa in paragraph 5 serves to emphasize how Burl finds himself deep in thought. This moment reflects his internal struggle and contemplation, highlighting the emotional weight of the situation. Option A incorrectly suggests that the focus is on Burl's frustration over financial loss, which is not the primary concern in this context. Option B misinterprets the mention of Lissa as a foreshadowing of anxieties, whereas the text focuses more on Burl's immediate reflections. Option C inaccurately implies that Lissa's mention reveals Burl's feelings toward the thief, diverting attention from his introspective state.
The author of 'The Letter of the Law' has decided to add subheadings to three paragraphs in her article to explain the idea presented in each. Which subheading summarizes which paragraph?
- A. Supreme Court hears Ledbetter v. Goodyear
- B. Salaries favor men over women
- C. Reasoning behind the decision
Correct Answer & Rationale
Correct Answer: B: Paragraph 2, A: Paragraph 4, C Paragraph 5
Subheading B, "Salaries favor men over women," effectively summarizes Paragraph 2, which discusses the gender wage gap and its implications. This aligns with the content's focus on disparities in pay. Subheading A, "Supreme Court hears Ledbetter v. Goodyear," accurately captures Paragraph 4, where the case's background and significance are outlined, emphasizing judicial involvement. Subheading C, "Reasoning behind the decision," pertains to Paragraph 5, which delves into the Court's rationale and legal interpretations regarding the case, clarifying the decision-making process. Each subheading succinctly reflects the core idea of its respective paragraph.
Subheading B, "Salaries favor men over women," effectively summarizes Paragraph 2, which discusses the gender wage gap and its implications. This aligns with the content's focus on disparities in pay. Subheading A, "Supreme Court hears Ledbetter v. Goodyear," accurately captures Paragraph 4, where the case's background and significance are outlined, emphasizing judicial involvement. Subheading C, "Reasoning behind the decision," pertains to Paragraph 5, which delves into the Court's rationale and legal interpretations regarding the case, clarifying the decision-making process. Each subheading succinctly reflects the core idea of its respective paragraph.
The monologue in paragraphs 4 and 5 suggests that Don Quixote believes that Sancho
- A. fails to trust in the abilities of an experienced knight.
- B. relies on outside help rather than personal strength.
- C. prefers harmless realities to exciting adventures
- D. lacks the confidence to face a potential danger.
Correct Answer & Rationale
Correct Answer: C
The monologue in paragraphs 4 and 5 indicates that Don Quixote perceives Sancho as someone who favors the comfort of familiar, safe experiences over the thrill of adventure. This preference highlights Sancho's inclination towards stability rather than embracing the uncertainties of knightly quests. Option A is incorrect as the text does not imply that Sancho distrusts Don Quixote's abilities. Option B misinterprets Sancho’s character; he often shows resourcefulness and courage. Option D suggests a lack of confidence in facing danger, but the text emphasizes Sancho's practical nature rather than fearfulness.
The monologue in paragraphs 4 and 5 indicates that Don Quixote perceives Sancho as someone who favors the comfort of familiar, safe experiences over the thrill of adventure. This preference highlights Sancho's inclination towards stability rather than embracing the uncertainties of knightly quests. Option A is incorrect as the text does not imply that Sancho distrusts Don Quixote's abilities. Option B misinterprets Sancho’s character; he often shows resourcefulness and courage. Option D suggests a lack of confidence in facing danger, but the text emphasizes Sancho's practical nature rather than fearfulness.