Excerpt from The Musician's Daughter
by Susanne Dunlap
I thought a lot, at the beginning, about my father playing the violin. I still remember the first time I ever saw a concert. I was very small, and we had just come to Esterhaza, a magnificent palace in Sopron, Hungary, when the prince's household moved there from his winter palace, at Eisenstadt, near Vienna. I think it may have been the first concert Papa took part in there. I had a new dress for the occasion, and Mama looked beautiful. I don't think Toby was born yet, or if he was, he was a small baby and stayed in our rooms with a nurse.
The palace at Esterháza was so new that it still smelled of raw wood and paint. The rooms were very grand. I had never seen so many candles in one place before. And they were expensive wax candles, not foul-smelling tallow. We stood to the side to watch the fine ladies enter. I thought they looked like dolls; their faces were so perfect. Later my mother told me that they painted them with white lead to make their skin artificially smooth and pale, and then rubbed rouge into their cheeks and lips, and drew lines of charcoal around their eyes so they would appear larger. And the headdresses-in those days the fashion was to have hair that towered up, stuck into place with diamond combs, with ribbons and pearls festooned around. And no matter what color it was naturally, ladies powdered their hair to snowy whiteness, so that the light of the candies was magnified by the glow from the people themselves.
And the men, too, were powdered and patched. Their gold buttons and lace were almost as gaudy as the ladies' finery. But the enormous panniers that held the ladies' skirts out to the side so far that they had to move sideways through doorways fascinated me most of all. I could barely be persuaded to turn my eyes to the orchestra when the concert started.
We were not seated with the guests. In fact, I think we were tucked away in an anteroom. The door was open so we could see through, and everyone pushed me forward to let me watch my father, who looked up now and again from the music and gave me a quick smile. The candlelight danced over the rich wood of his violin, the beautiful Italian instrument, an old Amati, that my grandfather had given him. Kapellmeister Haydn-who was also my godfather-sat at the harpsichord, smiling broadly all the time, waving one hand in the air to direct, then putting it back on the keys and instead using his head, bobbing and nodding to bring the winds in, or to indicate the entrance for the cellos. He looked like the music, 1 remember thinking. I wish I could bring that particular sound to my mind, but it has since blended with countless, other concert. I’ll always remember what it looked like, though. The light shimmering glow of everything and everyone.
sselect two of the four details from the excerpt into the chart to show which main idea each supports. 1. The narrator is imaginative. 2. The narrator is observant.
- A. The narrator thinks the director looks like the music.
- B. The narrator notices the candlelight reflected off the violin.
- C. The narrator stands to the side while the ladies pass by.
- D. The narrator has a new dress for the concert.
Correct Answer & Rationale
Correct Answer: A, B
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Other Related Questions
In paragraph 5 the author states that opponents of wave technology 'claim that deploying ocean wave devices could also disrupt the relationships that people have with the oceans...' To what extent is this claim supported?
- A. It is unsupported because the author follows the claim with subjective information.
- B. It is unsupported because the author follows the claim with a counterexample that disproves it.
- C. It is well supported because the author follows it with facts and objective evidence.
- D. It is well supported because the author follows it with scientific data that furthers the claim.
Correct Answer & Rationale
Correct Answer: A
The claim about ocean wave devices disrupting relationships is unsupported, as the author follows it with subjective information rather than objective evidence. Option B is incorrect; there is no counterexample provided that disproves the claim. Option C is also wrong, as the author does not present factual or objective evidence to bolster the assertion. Option D misinterprets the text by suggesting that scientific data supports the claim, while in reality, the subsequent information lacks the necessary objectivity to substantiate it effectively.
The claim about ocean wave devices disrupting relationships is unsupported, as the author follows it with subjective information rather than objective evidence. Option B is incorrect; there is no counterexample provided that disproves the claim. Option C is also wrong, as the author does not present factual or objective evidence to bolster the assertion. Option D misinterprets the text by suggesting that scientific data supports the claim, while in reality, the subsequent information lacks the necessary objectivity to substantiate it effectively.
Burl refers to the thief as an 'artiste' in the story because
- A. the thief arranges the jars in patterns.
- B. the thief scrawls a drawing on the back of an IOU.
- C. the thief leaves beautiful objects rather than money.
- D. the thief avoids getting caught by being creative.
Correct Answer & Rationale
Correct Answer: A
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
Currently, the technology exists to meet a significant portion of the world's energy demands by converting wave power to electricity. If the author removed the word 'significant' from this sentence, the new sentence would
- A. show diminished potential for this technology.
- B. allow the reader to infer the importance of the technology.
- C. create a realistic portrayal of the technology.
- D. indicate a greater reliance on the technology.
Correct Answer & Rationale
Correct Answer: A
Removing the word "significant" diminishes the perceived potential of wave power technology. Without it, the sentence suggests that the technology may only meet a minor portion of energy demands, which undercuts its viability and importance. Option B incorrectly implies that the omission would enhance the reader's understanding of the technology's importance, which is not the case. Option C suggests a realistic portrayal, but the removal leads to a less optimistic view rather than a realistic one. Option D misinterprets the change, as it does not indicate greater reliance; instead, it suggests a lesser impact.
Removing the word "significant" diminishes the perceived potential of wave power technology. Without it, the sentence suggests that the technology may only meet a minor portion of energy demands, which undercuts its viability and importance. Option B incorrectly implies that the omission would enhance the reader's understanding of the technology's importance, which is not the case. Option C suggests a realistic portrayal, but the removal leads to a less optimistic view rather than a realistic one. Option D misinterprets the change, as it does not indicate greater reliance; instead, it suggests a lesser impact.
What is the impact of Sancho addressing Don Quixote as 'Your Worship' in paragraphs 4 and 9 of the excerpts?
- A. The reader understands Sancho's confidence in Don Quixote.
- B. The reader understands Sancho's disdain for Don Quixote.
- C. The reader understands Sancho's subservience to Don Quixote.
- D. The reader understands Sancho's worry about Don Quixote.
Correct Answer & Rationale
Correct Answer: C
Sancho addressing Don Quixote as "Your Worship" highlights his subservience and respect for Don Quixote's self-appointed status as a noble knight. This term of address indicates Sancho's acknowledgment of Don Quixote's authority and his role as a squire, reinforcing the power dynamics in their relationship. Option A misinterprets the term as a sign of confidence; instead, it reflects Sancho's deference. Option B suggests disdain, which contradicts the respectful tone implied by "Your Worship." Option D implies worry, but the phrase primarily conveys respect rather than concern, making it less relevant in this context.
Sancho addressing Don Quixote as "Your Worship" highlights his subservience and respect for Don Quixote's self-appointed status as a noble knight. This term of address indicates Sancho's acknowledgment of Don Quixote's authority and his role as a squire, reinforcing the power dynamics in their relationship. Option A misinterprets the term as a sign of confidence; instead, it reflects Sancho's deference. Option B suggests disdain, which contradicts the respectful tone implied by "Your Worship." Option D implies worry, but the phrase primarily conveys respect rather than concern, making it less relevant in this context.