Excerpt from The Musician's Daughter
by Susanne Dunlap
I thought a lot, at the beginning, about my father playing the violin. I still remember the first time I ever saw a concert. I was very small, and we had just come to Esterhaza, a magnificent palace in Sopron, Hungary, when the prince's household moved there from his winter palace, at Eisenstadt, near Vienna. I think it may have been the first concert Papa took part in there. I had a new dress for the occasion, and Mama looked beautiful. I don't think Toby was born yet, or if he was, he was a small baby and stayed in our rooms with a nurse.
The palace at Esterháza was so new that it still smelled of raw wood and paint. The rooms were very grand. I had never seen so many candles in one place before. And they were expensive wax candles, not foul-smelling tallow. We stood to the side to watch the fine ladies enter. I thought they looked like dolls; their faces were so perfect. Later my mother told me that they painted them with white lead to make their skin artificially smooth and pale, and then rubbed rouge into their cheeks and lips, and drew lines of charcoal around their eyes so they would appear larger. And the headdresses-in those days the fashion was to have hair that towered up, stuck into place with diamond combs, with ribbons and pearls festooned around. And no matter what color it was naturally, ladies powdered their hair to snowy whiteness, so that the light of the candies was magnified by the glow from the people themselves.
And the men, too, were powdered and patched. Their gold buttons and lace were almost as gaudy as the ladies' finery. But the enormous panniers that held the ladies' skirts out to the side so far that they had to move sideways through doorways fascinated me most of all. I could barely be persuaded to turn my eyes to the orchestra when the concert started.
We were not seated with the guests. In fact, I think we were tucked away in an anteroom. The door was open so we could see through, and everyone pushed me forward to let me watch my father, who looked up now and again from the music and gave me a quick smile. The candlelight danced over the rich wood of his violin, the beautiful Italian instrument, an old Amati, that my grandfather had given him. Kapellmeister Haydn-who was also my godfather-sat at the harpsichord, smiling broadly all the time, waving one hand in the air to direct, then putting it back on the keys and instead using his head, bobbing and nodding to bring the winds in, or to indicate the entrance for the cellos. He looked like the music, 1 remember thinking. I wish I could bring that particular sound to my mind, but it has since blended with countless, other concert. I’ll always remember what it looked like, though. The light shimmering glow of everything and everyone.
What technique does the author use to reveal the narrator's perspective about the ladies at the concert?
- A. She compares the ladies to perfectly decorated dolls.
- B. She repeats descriptive words to show the ladies' perfection.
- C. She exaggerates the appearance of the ladies.
- D. She describes two extremes of the ladies' dresses.
Correct Answer & Rationale
Correct Answer: A
The author's technique of comparing the ladies to perfectly decorated dolls effectively illustrates the narrator's perspective, highlighting their superficial beauty and lack of depth. This metaphor emphasizes the idealized and artificial nature of the ladies, suggesting a critique of societal standards. Option B, while focusing on repetition, does not capture the nuanced perspective as effectively as the metaphor does. Option C, exaggeration, may convey a sense of irony but lacks the specific imagery that reinforces the narrator's view. Option D introduces contrast but does not fully encapsulate the narrator's overall impression of the ladies’ superficiality.
The author's technique of comparing the ladies to perfectly decorated dolls effectively illustrates the narrator's perspective, highlighting their superficial beauty and lack of depth. This metaphor emphasizes the idealized and artificial nature of the ladies, suggesting a critique of societal standards. Option B, while focusing on repetition, does not capture the nuanced perspective as effectively as the metaphor does. Option C, exaggeration, may convey a sense of irony but lacks the specific imagery that reinforces the narrator's view. Option D introduces contrast but does not fully encapsulate the narrator's overall impression of the ladies’ superficiality.
Other Related Questions
What statement expresses a central theme of the excerpt?
- A. Disagreements can strain even the closest relationships
- B. Cooperative relationships allow people to grow to their full potential.
- C. Children bring strife that challenges bonds in a relationship.
- D. People in lasting relationships can still surprise each other.
Correct Answer & Rationale
Correct Answer: D
The statement that people in lasting relationships can still surprise each other captures the essence of enduring connections, highlighting the dynamic nature of relationships where individuals continue to evolve and reveal new facets of themselves. Option A, while true, focuses more on conflict rather than the positive surprises that can occur. Option B emphasizes growth but does not specifically address the element of surprise in relationships. Option C suggests that children create challenges, which may be valid but does not reflect the overarching theme of ongoing discovery within relationships.
The statement that people in lasting relationships can still surprise each other captures the essence of enduring connections, highlighting the dynamic nature of relationships where individuals continue to evolve and reveal new facets of themselves. Option A, while true, focuses more on conflict rather than the positive surprises that can occur. Option B emphasizes growth but does not specifically address the element of surprise in relationships. Option C suggests that children create challenges, which may be valid but does not reflect the overarching theme of ongoing discovery within relationships.
What is the relationship between paragraphs 7 and 8?
- A. Paragraph 8 presents a solution to a problem raised in paragraph 7.
- B. Paragraph 8 contrasts information in paragraph 7.
- C. Paragraph 8 applies a concept presented in paragraph 7.
- D. Paragraph 8 provides evidence for an issue presented in paragraph 7.
Correct Answer & Rationale
Correct Answer: B
Paragraph 7 introduces a specific idea or situation, while paragraph 8 presents a contrasting viewpoint or alternative perspective, highlighting differences rather than similarities. This contrast is essential for understanding the complexity of the topic. Option A is incorrect as there is no solution offered in paragraph 8; it merely contrasts the information. Option C misinterprets the relationship; applying a concept implies continuity rather than opposition. Option D suggests that paragraph 8 supports paragraph 7, which is not the case since it presents a differing perspective rather than evidence. Thus, the relationship is one of contrast.
Paragraph 7 introduces a specific idea or situation, while paragraph 8 presents a contrasting viewpoint or alternative perspective, highlighting differences rather than similarities. This contrast is essential for understanding the complexity of the topic. Option A is incorrect as there is no solution offered in paragraph 8; it merely contrasts the information. Option C misinterprets the relationship; applying a concept implies continuity rather than opposition. Option D suggests that paragraph 8 supports paragraph 7, which is not the case since it presents a differing perspective rather than evidence. Thus, the relationship is one of contrast.
In paragraph 5 the author states that opponents of wave technology 'claim that deploying ocean wave devices could also disrupt the relationships that people have with the oceans...' To what extent is this claim supported?
- A. It is unsupported because the author follows the claim with subjective information.
- B. It is unsupported because the author follows the claim with a counterexample that disproves it.
- C. It is well supported because the author follows it with facts and objective evidence.
- D. It is well supported because the author follows it with scientific data that furthers the claim.
Correct Answer & Rationale
Correct Answer: A
The claim about ocean wave devices disrupting relationships is unsupported, as the author follows it with subjective information rather than objective evidence. Option B is incorrect; there is no counterexample provided that disproves the claim. Option C is also wrong, as the author does not present factual or objective evidence to bolster the assertion. Option D misinterprets the text by suggesting that scientific data supports the claim, while in reality, the subsequent information lacks the necessary objectivity to substantiate it effectively.
The claim about ocean wave devices disrupting relationships is unsupported, as the author follows it with subjective information rather than objective evidence. Option B is incorrect; there is no counterexample provided that disproves the claim. Option C is also wrong, as the author does not present factual or objective evidence to bolster the assertion. Option D misinterprets the text by suggesting that scientific data supports the claim, while in reality, the subsequent information lacks the necessary objectivity to substantiate it effectively.
The rooms were very grand. How would the meaning of this sentence be changed if the word 'grand' were replaced with 'large'?
- A. The sentence would describe the size of the room but not their magnificence.
- B. The sentence would provide information about the historical period in which these rooms were used.
- C. The sentence would offer insight into the particular decorations of the rooms but not the dimensions.
- D. The sentence would refer to the number of people the rooms would accommodate.
Correct Answer & Rationale
Correct Answer: A
Replacing "grand" with "large" alters the focus of the description. "Grand" conveys a sense of magnificence, elegance, and impressive beauty, while "large" simply indicates size without any connotation of splendor. Thus, option A accurately reflects that the sentence shifts from describing both size and magnificence to solely addressing size. Option B incorrectly suggests a historical context, which isn't implied by either term. Option C misinterprets the focus on decorations rather than size. Option D mistakenly assumes a focus on capacity, which is not relevant to the original meaning about the rooms.
Replacing "grand" with "large" alters the focus of the description. "Grand" conveys a sense of magnificence, elegance, and impressive beauty, while "large" simply indicates size without any connotation of splendor. Thus, option A accurately reflects that the sentence shifts from describing both size and magnificence to solely addressing size. Option B incorrectly suggests a historical context, which isn't implied by either term. Option C misinterprets the focus on decorations rather than size. Option D mistakenly assumes a focus on capacity, which is not relevant to the original meaning about the rooms.