The narrator of this passage from a novel is Nasarian, a woman who was born in Kenya and now lives in New York City. (1) Looking at her makes me remember. (2) I can almost feel the heat rising, riding the backs of broken cobblestones, gray and scraped smooth by a ceaseless parade of tired, black, sandaled feet. (3) But that was far away and long ago. (4) Here, this woman peers almost timidly around the curving, splintered wood of the brownstone door, blinking furiously now as the wind and rain whip her face. (5) I stare, and a sudden longing whistles through my mind, dancing around me on each restless gust of cold, wet wind that slams into my chest as I walk down 132nd Street in Harlem. (6) Harlem. (7) So far from my home. (8) So far from the endless Kenyan plains that I still dream about each night. (9) The rain pelts my face, and I shiver as it shimmies down my neck and creeps underneath the thick, scratchy collar of my coat. (10) I cannot stop staring into this woman's face, this African mother draped from brow to ankle in gold and wind-crushed linen. (11) As she descends the stairs, the rain seems to disappear around her. (12) Now that she has committed herself, she does not blink or falter. (13) If anything, the rain has become a tightly woven fruit basket bearing down on the crown of her head, under which her pride demands that she stand erect. (14) The only concession she gives is to pull her head wrap up out of the folds of her long, dark cloak and clutch it tightly underneath her chin. (15) The scarf is a replica of the same gilded hijab my mother wore as a child, long before she became my mother. (16) I know this because it is the outfit that she chooses when she comes to me at night in my dreams. (17) This woman looks nothing like my mother, yet somehow my heart tells me that they are almost exactly the same. (18) She tucks her curling braids underneath the edges of the wrap, attempting to cover the wildness embroidered in her hair. (19) I don't understand why, modesty is no kin to women like her. (20) She cannot help but walk like a mountain's peak through the raunchy streets of Harlem, wearing her continent on the high bridge of her nose, with the valleys curving round like clattering rings into her nostrils. (21) Her exposed heels are lined with the deep furrows of an elephant's trunk. (22) She wears sandals in the November cold, in the hard, trash-swilling rain because the thirsty leather straps remind her of deserts and home (at least that's why I do so).
In context, the statement that the woman is 'draped from brow to ankle in gold and wind-crushed linen' (sentence 10) primarily:
- A. reveals the narrator's assumptions about the woman's income
- B. explains why the woman might be uncomfortable in the cold weather
- C. shows how different the woman's clothing is from the narrator's clothing
- D. emphasizes how out of place the woman seems in the surrounding environment
Correct Answer & Rationale
Correct Answer: D
The description of the woman being "draped from brow to ankle in gold and wind-crushed linen" emphasizes her opulent attire, suggesting she is out of place in her surroundings. This stark contrast highlights her distinctiveness compared to the environment, reinforcing her isolation. Option A misinterprets the focus on income rather than the visual impact of her clothing. Option B incorrectly assumes discomfort from the cold, which is not the primary focus of the imagery. Option C, while noting a difference in clothing, fails to capture the broader context of the woman’s disconnection from her environment, which is central to the statement.
The description of the woman being "draped from brow to ankle in gold and wind-crushed linen" emphasizes her opulent attire, suggesting she is out of place in her surroundings. This stark contrast highlights her distinctiveness compared to the environment, reinforcing her isolation. Option A misinterprets the focus on income rather than the visual impact of her clothing. Option B incorrectly assumes discomfort from the cold, which is not the primary focus of the imagery. Option C, while noting a difference in clothing, fails to capture the broader context of the woman’s disconnection from her environment, which is central to the statement.
Other Related Questions
What assumption does the author of the passage make?
- A. Gases produced by algae will be cheaper to produce than other gases.
- B. The Department of Energy is already using hydrogen-producing algae as a source of energy.
- C. Mutant versions of algae will not be capable of the process of photosynthesis.
- D. Readers do not associate the Department of Energy with algae research.
Correct Answer & Rationale
Correct Answer: D
The assumption that readers do not associate the Department of Energy with algae research is supported by the passage's context, which aims to highlight the potential of algae in energy production. This suggests a need to clarify the Department's involvement. Option A is incorrect as the passage does not provide a comparison of costs related to gas production. Option B is misleading; the passage does not confirm the Department's current use of hydrogen-producing algae. Option C is not supported; the passage does not address the capabilities of mutant algae in photosynthesis. Thus, option D aligns with the author's intent to bridge a knowledge gap.
The assumption that readers do not associate the Department of Energy with algae research is supported by the passage's context, which aims to highlight the potential of algae in energy production. This suggests a need to clarify the Department's involvement. Option A is incorrect as the passage does not provide a comparison of costs related to gas production. Option B is misleading; the passage does not confirm the Department's current use of hydrogen-producing algae. Option C is not supported; the passage does not address the capabilities of mutant algae in photosynthesis. Thus, option D aligns with the author's intent to bridge a knowledge gap.
The author of Passage 1 uses the phrase 'That's right' in order to:
- A. acknowledge that a claim may be surprising
- B. confirm that a prediction was accurate
- C. concede that a criticism has merit
- D. emphasize that a debate has been settled
Correct Answer & Rationale
Correct Answer: A
The phrase "That's right" is used to acknowledge a statement or claim, often indicating that it may be unexpected or surprising to the audience. This aligns with option A, as it highlights an awareness of the potential shock value of the claim. Option B is incorrect because confirming a prediction implies certainty and agreement with a prior statement, which is not the intent of the phrase. Option C misinterprets the phrase's meaning; conceding a criticism suggests acceptance of fault, which does not fit the context. Option D also misses the mark, as emphasizing a settled debate would imply finality, whereas "That's right" suggests an ongoing dialogue rather than closure.
The phrase "That's right" is used to acknowledge a statement or claim, often indicating that it may be unexpected or surprising to the audience. This aligns with option A, as it highlights an awareness of the potential shock value of the claim. Option B is incorrect because confirming a prediction implies certainty and agreement with a prior statement, which is not the intent of the phrase. Option C misinterprets the phrase's meaning; conceding a criticism suggests acceptance of fault, which does not fit the context. Option D also misses the mark, as emphasizing a settled debate would imply finality, whereas "That's right" suggests an ongoing dialogue rather than closure.
The narrator primarily portrays the woman she is observing as someone who is:
- A. modest and self-effacing
- B. imposing and dignified
- C. youthful and energetic
- D. angry and impatient
Correct Answer & Rationale
Correct Answer: B
The portrayal of the woman emphasizes her imposing and dignified presence, suggesting strength and confidence. This is evident through her posture and the way she commands attention in her environment. Option A, modest and self-effacing, contradicts the strong impression she leaves, as she does not appear to shy away from the spotlight. Option C, youthful and energetic, overlooks the woman's gravitas and maturity, focusing instead on a fleeting quality. Option D, angry and impatient, misrepresents her demeanor, which is more composed and authoritative than reactive. Thus, the emphasis on dignity and presence aligns best with the narrator's observations.
The portrayal of the woman emphasizes her imposing and dignified presence, suggesting strength and confidence. This is evident through her posture and the way she commands attention in her environment. Option A, modest and self-effacing, contradicts the strong impression she leaves, as she does not appear to shy away from the spotlight. Option C, youthful and energetic, overlooks the woman's gravitas and maturity, focusing instead on a fleeting quality. Option D, angry and impatient, misrepresents her demeanor, which is more composed and authoritative than reactive. Thus, the emphasis on dignity and presence aligns best with the narrator's observations.
Both authors indicate that meeting the world's food needs should not come at the expense of:
- A. innovative farming practices
- B. environmental integrity
- C. humane treatment of animals
- D. economic development
Correct Answer & Rationale
Correct Answer: B
Meeting the world’s food needs should prioritize environmental integrity, as it ensures sustainable practices that protect ecosystems for future generations. If environmental health is compromised, long-term agricultural productivity is at risk. Option A, innovative farming practices, while important, can still be pursued without sacrificing environmental integrity. Option C, humane treatment of animals, is critical but may not directly relate to the broader environmental concerns outlined by the authors. Option D, economic development, is essential for food security, but it should not overshadow the imperative of maintaining ecological balance.
Meeting the world’s food needs should prioritize environmental integrity, as it ensures sustainable practices that protect ecosystems for future generations. If environmental health is compromised, long-term agricultural productivity is at risk. Option A, innovative farming practices, while important, can still be pursued without sacrificing environmental integrity. Option C, humane treatment of animals, is critical but may not directly relate to the broader environmental concerns outlined by the authors. Option D, economic development, is essential for food security, but it should not overshadow the imperative of maintaining ecological balance.