The narrator of this passage from a novel is Nasarian, a woman who was born in Kenya and now lives in New York City. (1) Looking at her makes me remember. (2) I can almost feel the heat rising, riding the backs of broken cobblestones, gray and scraped smooth by a ceaseless parade of tired, black, sandaled feet. (3) But that was far away and long ago. (4) Here, this woman peers almost timidly around the curving, splintered wood of the brownstone door, blinking furiously now as the wind and rain whip her face. (5) I stare, and a sudden longing whistles through my mind, dancing around me on each restless gust of cold, wet wind that slams into my chest as I walk down 132nd Street in Harlem. (6) Harlem. (7) So far from my home. (8) So far from the endless Kenyan plains that I still dream about each night. (9) The rain pelts my face, and I shiver as it shimmies down my neck and creeps underneath the thick, scratchy collar of my coat. (10) I cannot stop staring into this woman's face, this African mother draped from brow to ankle in gold and wind-crushed linen. (11) As she descends the stairs, the rain seems to disappear around her. (12) Now that she has committed herself, she does not blink or falter. (13) If anything, the rain has become a tightly woven fruit basket bearing down on the crown of her head, under which her pride demands that she stand erect. (14) The only concession she gives is to pull her head wrap up out of the folds of her long, dark cloak and clutch it tightly underneath her chin. (15) The scarf is a replica of the same gilded hijab my mother wore as a child, long before she became my mother. (16) I know this because it is the outfit that she chooses when she comes to me at night in my dreams. (17) This woman looks nothing like my mother, yet somehow my heart tells me that they are almost exactly the same. (18) She tucks her curling braids underneath the edges of the wrap, attempting to cover the wildness embroidered in her hair. (19) I don't understand why, modesty is no kin to women like her. (20) She cannot help but walk like a mountain's peak through the raunchy streets of Harlem, wearing her continent on the high bridge of her nose, with the valleys curving round like clattering rings into her nostrils. (21) Her exposed heels are lined with the deep furrows of an elephant's trunk. (22) She wears sandals in the November cold, in the hard, trash-swilling rain because the thirsty leather straps remind her of deserts and home (at least that's why I do so).
The narrator primarily portrays the woman she is observing as someone who is:
- A. modest and self-effacing
- B. imposing and dignified
- C. youthful and energetic
- D. angry and impatient
Correct Answer & Rationale
Correct Answer: B
The portrayal of the woman emphasizes her imposing and dignified presence, suggesting strength and confidence. This is evident through her posture and the way she commands attention in her environment. Option A, modest and self-effacing, contradicts the strong impression she leaves, as she does not appear to shy away from the spotlight. Option C, youthful and energetic, overlooks the woman's gravitas and maturity, focusing instead on a fleeting quality. Option D, angry and impatient, misrepresents her demeanor, which is more composed and authoritative than reactive. Thus, the emphasis on dignity and presence aligns best with the narrator's observations.
The portrayal of the woman emphasizes her imposing and dignified presence, suggesting strength and confidence. This is evident through her posture and the way she commands attention in her environment. Option A, modest and self-effacing, contradicts the strong impression she leaves, as she does not appear to shy away from the spotlight. Option C, youthful and energetic, overlooks the woman's gravitas and maturity, focusing instead on a fleeting quality. Option D, angry and impatient, misrepresents her demeanor, which is more composed and authoritative than reactive. Thus, the emphasis on dignity and presence aligns best with the narrator's observations.
Other Related Questions
In sentence 13, the narrator most likely uses the image of 'a tightly woven fruit basket' to suggest that the rain is:
- A. a physical challenge that must be endured
- B. falling so heavily that she can barely see through it
- C. a reminder of the weather in harvest season
- D. important because it allows crops to survive
Correct Answer & Rationale
Correct Answer: A
The image of "a tightly woven fruit basket" conveys the idea of resilience and endurance, suggesting that the rain is a challenge that must be faced. This metaphor implies that just like a tightly woven basket holds its contents together despite external pressures, the narrator must endure the rain's intensity. Option B misinterprets the imagery; while heavy rain can obscure vision, the metaphor focuses more on endurance than visibility. Option C incorrectly links the rain to harvest season, which is not implied in the context. Option D, while true about rain's importance for crops, does not capture the struggle suggested by the basket imagery.
The image of "a tightly woven fruit basket" conveys the idea of resilience and endurance, suggesting that the rain is a challenge that must be faced. This metaphor implies that just like a tightly woven basket holds its contents together despite external pressures, the narrator must endure the rain's intensity. Option B misinterprets the imagery; while heavy rain can obscure vision, the metaphor focuses more on endurance than visibility. Option C incorrectly links the rain to harvest season, which is not implied in the context. Option D, while true about rain's importance for crops, does not capture the struggle suggested by the basket imagery.
In context, the statement that the woman is 'draped from brow to ankle in gold and wind-crushed linen' (sentence 10) primarily:
- A. reveals the narrator's assumptions about the woman's income
- B. explains why the woman might be uncomfortable in the cold weather
- C. shows how different the woman's clothing is from the narrator's clothing
- D. emphasizes how out of place the woman seems in the surrounding environment
Correct Answer & Rationale
Correct Answer: D
The description of the woman being "draped from brow to ankle in gold and wind-crushed linen" emphasizes her opulent attire, suggesting she is out of place in her surroundings. This stark contrast highlights her distinctiveness compared to the environment, reinforcing her isolation. Option A misinterprets the focus on income rather than the visual impact of her clothing. Option B incorrectly assumes discomfort from the cold, which is not the primary focus of the imagery. Option C, while noting a difference in clothing, fails to capture the broader context of the woman’s disconnection from her environment, which is central to the statement.
The description of the woman being "draped from brow to ankle in gold and wind-crushed linen" emphasizes her opulent attire, suggesting she is out of place in her surroundings. This stark contrast highlights her distinctiveness compared to the environment, reinforcing her isolation. Option A misinterprets the focus on income rather than the visual impact of her clothing. Option B incorrectly assumes discomfort from the cold, which is not the primary focus of the imagery. Option C, while noting a difference in clothing, fails to capture the broader context of the woman’s disconnection from her environment, which is central to the statement.
The author of Passage 1 uses the phrase 'That's right' in order to:
- A. acknowledge that a claim may be surprising
- B. confirm that a prediction was accurate
- C. concede that a criticism has merit
- D. emphasize that a debate has been settled
Correct Answer & Rationale
Correct Answer: A
The phrase "That's right" is used to acknowledge a statement or claim, often indicating that it may be unexpected or surprising to the audience. This aligns with option A, as it highlights an awareness of the potential shock value of the claim. Option B is incorrect because confirming a prediction implies certainty and agreement with a prior statement, which is not the intent of the phrase. Option C misinterprets the phrase's meaning; conceding a criticism suggests acceptance of fault, which does not fit the context. Option D also misses the mark, as emphasizing a settled debate would imply finality, whereas "That's right" suggests an ongoing dialogue rather than closure.
The phrase "That's right" is used to acknowledge a statement or claim, often indicating that it may be unexpected or surprising to the audience. This aligns with option A, as it highlights an awareness of the potential shock value of the claim. Option B is incorrect because confirming a prediction implies certainty and agreement with a prior statement, which is not the intent of the phrase. Option C misinterprets the phrase's meaning; conceding a criticism suggests acceptance of fault, which does not fit the context. Option D also misses the mark, as emphasizing a settled debate would imply finality, whereas "That's right" suggests an ongoing dialogue rather than closure.
The final paragraph suggests that seeing the woman has caused the narrator to:
- A. face the negative feelings she has about her new home
- B. realize that she misses her mother more than she admits
- C. think about her own feelings about her family and background
- D. remember the reason she moved away from her home country
Correct Answer & Rationale
Correct Answer: C
The final paragraph emphasizes the narrator's introspection triggered by seeing the woman, leading her to reflect on her own feelings about family and background. This deep connection to identity is central to her experience. Option A misinterprets the focus; while negative feelings may exist, the emphasis is on personal reflection rather than facing negativity. Option B suggests a specific emotion related to her mother, which is not explicitly indicated in the text. Option D implies a recollection of her reasons for moving, but the paragraph centers more on her current emotional state rather than past motivations.
The final paragraph emphasizes the narrator's introspection triggered by seeing the woman, leading her to reflect on her own feelings about family and background. This deep connection to identity is central to her experience. Option A misinterprets the focus; while negative feelings may exist, the emphasis is on personal reflection rather than facing negativity. Option B suggests a specific emotion related to her mother, which is not explicitly indicated in the text. Option D implies a recollection of her reasons for moving, but the paragraph centers more on her current emotional state rather than past motivations.