Excerpt from The Musician's Daughter
by Susanne Dunlap
I thought a lot, at the beginning, about my father playing the violin. I still remember the first time I ever saw a concert. I was very small, and we had just come to Esterhaza, a magnificent palace in Sopron, Hungary, when the prince's household moved there from his winter palace, at Eisenstadt, near Vienna. I think it may have been the first concert Papa took part in there. I had a new dress for the occasion, and Mama looked beautiful. I don't think Toby was born yet, or if he was, he was a small baby and stayed in our rooms with a nurse.
The palace at Esterháza was so new that it still smelled of raw wood and paint. The rooms were very grand. I had never seen so many candles in one place before. And they were expensive wax candles, not foul-smelling tallow. We stood to the side to watch the fine ladies enter. I thought they looked like dolls; their faces were so perfect. Later my mother told me that they painted them with white lead to make their skin artificially smooth and pale, and then rubbed rouge into their cheeks and lips, and drew lines of charcoal around their eyes so they would appear larger. And the headdresses-in those days the fashion was to have hair that towered up, stuck into place with diamond combs, with ribbons and pearls festooned around. And no matter what color it was naturally, ladies powdered their hair to snowy whiteness, so that the light of the candies was magnified by the glow from the people themselves.
And the men, too, were powdered and patched. Their gold buttons and lace were almost as gaudy as the ladies' finery. But the enormous panniers that held the ladies' skirts out to the side so far that they had to move sideways through doorways fascinated me most of all. I could barely be persuaded to turn my eyes to the orchestra when the concert started.
We were not seated with the guests. In fact, I think we were tucked away in an anteroom. The door was open so we could see through, and everyone pushed me forward to let me watch my father, who looked up now and again from the music and gave me a quick smile. The candlelight danced over the rich wood of his violin, the beautiful Italian instrument, an old Amati, that my grandfather had given him. Kapellmeister Haydn-who was also my godfather-sat at the harpsichord, smiling broadly all the time, waving one hand in the air to direct, then putting it back on the keys and instead using his head, bobbing and nodding to bring the winds in, or to indicate the entrance for the cellos. He looked like the music, 1 remember thinking. I wish I could bring that particular sound to my mind, but it has since blended with countless, other concert. I’ll always remember what it looked like, though. The light shimmering glow of everything and everyone.
The rooms were very grand. How would the meaning of this sentence be changed if the word 'grand' were replaced with 'large'?
- A. The sentence would describe the size of the room but not their magnificence.
- B. The sentence would provide information about the historical period in which these rooms were used.
- C. The sentence would offer insight into the particular decorations of the rooms but not the dimensions.
- D. The sentence would refer to the number of people the rooms would accommodate.
Correct Answer & Rationale
Correct Answer: A
Replacing "grand" with "large" alters the focus of the description. "Grand" conveys a sense of magnificence, elegance, and impressive beauty, while "large" simply indicates size without any connotation of splendor. Thus, option A accurately reflects that the sentence shifts from describing both size and magnificence to solely addressing size. Option B incorrectly suggests a historical context, which isn't implied by either term. Option C misinterprets the focus on decorations rather than size. Option D mistakenly assumes a focus on capacity, which is not relevant to the original meaning about the rooms.
Replacing "grand" with "large" alters the focus of the description. "Grand" conveys a sense of magnificence, elegance, and impressive beauty, while "large" simply indicates size without any connotation of splendor. Thus, option A accurately reflects that the sentence shifts from describing both size and magnificence to solely addressing size. Option B incorrectly suggests a historical context, which isn't implied by either term. Option C misinterprets the focus on decorations rather than size. Option D mistakenly assumes a focus on capacity, which is not relevant to the original meaning about the rooms.
Other Related Questions
What challenge does Burl face?
- A. the isolation in his work
- B. how to improve his health
- C. how to manage his time
- D. the survival of the hives
Correct Answer & Rationale
Correct Answer: D
Burl's primary challenge revolves around the survival of the hives, which is crucial for his beekeeping livelihood. This concern encompasses factors such as environmental threats and colony health, directly impacting his work. Option A, the isolation in his work, might be a factor but does not capture the central issue affecting his beekeeping. Option B, improving health, while important, is not Burl's main focus in the context of his responsibilities. Option C, managing time, is relevant but secondary to the urgent matter of hive survival, which ultimately determines the success of his beekeeping efforts.
Burl's primary challenge revolves around the survival of the hives, which is crucial for his beekeeping livelihood. This concern encompasses factors such as environmental threats and colony health, directly impacting his work. Option A, the isolation in his work, might be a factor but does not capture the central issue affecting his beekeeping. Option B, improving health, while important, is not Burl's main focus in the context of his responsibilities. Option C, managing time, is relevant but secondary to the urgent matter of hive survival, which ultimately determines the success of his beekeeping efforts.
With him she bravely threw off the British yoke, felt every pulsation of his heart for freedom, and inspired the glowing eloquence that maintained it through the century.' How would replacing the word 'yoke' with the word 'governance' affect the meaning of this sentence?
- A. it would add urgency for Americans to replace British laws with more republican ones
- B. it would strengthen the legitimacy of the American cause against the British.
- C. it would shift the blame for starting war from the British to the early Americans.
- D. it would weaken the idea that the British acted like masters of the Americans.
Correct Answer & Rationale
Correct Answer: D
Replacing "yoke" with "governance" would weaken the idea that the British acted like masters of the Americans. "Yoke" conveys oppression and subjugation, emphasizing the burden imposed by British rule. In contrast, "governance" suggests a more neutral or structured form of authority, diminishing the sense of tyranny inherent in the original term. Option A misinterprets the context, as urgency is not directly related to the term change. Option B incorrectly assumes that "governance" would enhance legitimacy, which it wouldn't. Option C wrongly shifts blame, as the focus remains on British oppression rather than American actions.
Replacing "yoke" with "governance" would weaken the idea that the British acted like masters of the Americans. "Yoke" conveys oppression and subjugation, emphasizing the burden imposed by British rule. In contrast, "governance" suggests a more neutral or structured form of authority, diminishing the sense of tyranny inherent in the original term. Option A misinterprets the context, as urgency is not directly related to the term change. Option B incorrectly assumes that "governance" would enhance legitimacy, which it wouldn't. Option C wrongly shifts blame, as the focus remains on British oppression rather than American actions.
What is the relationship between paragraphs 7 and 8?
- A. Paragraph 8 presents a solution to a problem raised in paragraph 7.
- B. Paragraph 8 contrasts information in paragraph 7.
- C. Paragraph 8 applies a concept presented in paragraph 7.
- D. Paragraph 8 provides evidence for an issue presented in paragraph 7.
Correct Answer & Rationale
Correct Answer: B
Paragraph 7 introduces a specific idea or situation, while paragraph 8 presents a contrasting viewpoint or alternative perspective, highlighting differences rather than similarities. This contrast is essential for understanding the complexity of the topic. Option A is incorrect as there is no solution offered in paragraph 8; it merely contrasts the information. Option C misinterprets the relationship; applying a concept implies continuity rather than opposition. Option D suggests that paragraph 8 supports paragraph 7, which is not the case since it presents a differing perspective rather than evidence. Thus, the relationship is one of contrast.
Paragraph 7 introduces a specific idea or situation, while paragraph 8 presents a contrasting viewpoint or alternative perspective, highlighting differences rather than similarities. This contrast is essential for understanding the complexity of the topic. Option A is incorrect as there is no solution offered in paragraph 8; it merely contrasts the information. Option C misinterprets the relationship; applying a concept implies continuity rather than opposition. Option D suggests that paragraph 8 supports paragraph 7, which is not the case since it presents a differing perspective rather than evidence. Thus, the relationship is one of contrast.
sselect two of the four details from the excerpt into the chart to show which main idea each supports. 1. The narrator is imaginative. 2. The narrator is observant.
- A. The narrator thinks the director looks like the music.
- B. The narrator notices the candlelight reflected off the violin.
- C. The narrator stands to the side while the ladies pass by.
- D. The narrator has a new dress for the concert.
Correct Answer & Rationale
Correct Answer: A, B
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.