(1) The term "film noir," meaning "dark cinema," or "black film" in French, was first used by French film critic Nino Frank in 1946 to describe a type of Hollywood film of the 1940s and 50s. (2) These films featured black-and-white cinematography, often with nighttime settings and menacing themes, suggesting an unstable world full of danger and moral corruption. (3) Dark shadows, streaks of bright light, and, off-balance compositions were all typical of the visual style. (4) These elements created an effect of disillusionment and bitter realism (5) Many of these elements were brought to Hollywood by German directors fleeing their war-torn land.
(6) Many of the stories and a lot of the attitude of classic film noir come from the hardboiled school of detective and crime fiction that became popular in the United States during the Great Depression. (7)
American writers such as Dashiell Hammett, whose novel The Maltese Falcon was made into one of the first big-budget film noirs, and James M. Cain being particularly influential. (8) Film noir can include a wide range of plots: the main character may be a private detective, a plainclothes policeman, an aging boxer, a con man, or a law-abiding citizen lured into a life of crime. (9) Betrayals and double-crosses also play an important role in many of these plots.
(10) Famous examples of film noir include Double Indemnity (1944), directed by Billy Wilder, The Big Heat (1953), directed by Fritz Lang; and Touch of Evil (1958), directed by Orsorr Welles. (11) Billy Wilder also directed many famous comedies, such as Some Like It Hot. (12) Although classic film noir is associated with American productions of the 1940s and '50s, many films from around the world and from the 1960s onward share many classic film noir traits. (13) For example, the films of Quentin Tarantino such as Pulp Fiction though, shot in color, have been heavily influenced by the genre of film noir.
What change needs to be made to sentence 7 (reproduced below) to make the sentence grammatically correct? American writers such as Dashiell Hammett, whose novel The Maltese Falcon was made into one of the first big-budget film noirs, and James M. Cain being particularly influential.
- A. Change 'such as' to 'like'
- B. Change 'whose' to 'which'
- C. Change 'was made' to 'making'
- D. Change 'being' to 'were'
Correct Answer & Rationale
Correct Answer: D
To ensure grammatical correctness, the verb form must agree with the subject. Option D, changing "being" to "were," corrects the sentence by providing a proper verb to match the plural subject "American writers." Option A, substituting "such as" with "like," does not address the grammatical issue and merely alters style without improving clarity. Option B's change from "whose" to "which" is incorrect since "whose" appropriately refers to the novel's author. Option C's shift from "was made" to "making" disrupts the intended meaning and does not resolve the grammatical error. Thus, only option D effectively corrects the sentence.
To ensure grammatical correctness, the verb form must agree with the subject. Option D, changing "being" to "were," corrects the sentence by providing a proper verb to match the plural subject "American writers." Option A, substituting "such as" with "like," does not address the grammatical issue and merely alters style without improving clarity. Option B's change from "whose" to "which" is incorrect since "whose" appropriately refers to the novel's author. Option C's shift from "was made" to "making" disrupts the intended meaning and does not resolve the grammatical error. Thus, only option D effectively corrects the sentence.
Other Related Questions
In sentence 13, the narrator most likely uses the image of 'a tightly woven fruit basket' to suggest that the rain is
- A. a physical challenge that must be endured
- B. falling so heavily that she can barely see through it
- C. a reminder of the weather in harvest season
- D. important because it allows crops to survive
Correct Answer & Rationale
Correct Answer: A
The image of "a tightly woven fruit basket" conveys the idea of something dense and tightly packed, suggesting that the rain is overwhelming and challenging to endure. This aligns with option A, which emphasizes the physical challenge of the rain. Option B misinterprets the imagery; while heavy rain can obscure vision, the fruit basket metaphor does not directly imply visibility issues. Option C incorrectly suggests a seasonal reminder, while the metaphor focuses more on the immediate experience of rain rather than its seasonal context. Option D, while acknowledging the rain's importance for crops, overlooks the emphasis on the struggle implied by the basket imagery.
The image of "a tightly woven fruit basket" conveys the idea of something dense and tightly packed, suggesting that the rain is overwhelming and challenging to endure. This aligns with option A, which emphasizes the physical challenge of the rain. Option B misinterprets the imagery; while heavy rain can obscure vision, the fruit basket metaphor does not directly imply visibility issues. Option C incorrectly suggests a seasonal reminder, while the metaphor focuses more on the immediate experience of rain rather than its seasonal context. Option D, while acknowledging the rain's importance for crops, overlooks the emphasis on the struggle implied by the basket imagery.
Which of the following, if true, would best serve to challenge Ogburn and Thomas's belief that the discovery of calculus is an example of the 'phenomenon' mentioned in the first sentence?
- A. Uncovering the existence of a journal that Newton kept while working with calculus
- B. Learning that scientists other than Newton and Leibniz had also made substantial progress on calculus
- C. Finding a previously unknown letter between Newton and Leibniz discussing calculus that predated its commonly assumed discovery
- D. Identifying a minor error in Newton's original mathematical calculations
Correct Answer & Rationale
Correct Answer: C
Option C effectively challenges Ogburn and Thomas's belief by suggesting that the discovery of calculus was not as isolated as previously thought. A letter between Newton and Leibniz predating the commonly accepted timeline implies prior knowledge or collaboration, undermining the notion of a singular 'phenomenon.' Option A, while interesting, does not directly challenge the notion of discovery but rather adds context to Newton's process. Option B highlights contributions from others but does not negate the significance of Newton and Leibniz’s roles. Option D points to an error that could suggest flaws in Newton's work but does not impact the legitimacy of the discovery itself.
Option C effectively challenges Ogburn and Thomas's belief by suggesting that the discovery of calculus was not as isolated as previously thought. A letter between Newton and Leibniz predating the commonly accepted timeline implies prior knowledge or collaboration, undermining the notion of a singular 'phenomenon.' Option A, while interesting, does not directly challenge the notion of discovery but rather adds context to Newton's process. Option B highlights contributions from others but does not negate the significance of Newton and Leibniz’s roles. Option D points to an error that could suggest flaws in Newton's work but does not impact the legitimacy of the discovery itself.
The primary purpose of the passage is to
- A. trace the history of guilds in New Spain
- B. criticize the Spanish beliefs about manual labor
- C. describe some particular works of art created in New Spain in the 1600s
- D. describe the influence of Spanish attitudes and practices on the painting of New Spain
Correct Answer & Rationale
Correct Answer: D
The primary purpose of the passage centers on the influence of Spanish attitudes and practices on the painting of New Spain. This option highlights the relationship between cultural values and artistic expression, which is a central theme in the text. Option A is incorrect as it focuses solely on the historical aspect of guilds, which may be mentioned but is not the main focus. Option B misinterprets the passage's intent, as it does not primarily critique Spanish beliefs about manual labor. Option C, while related to art, narrows the focus to specific works rather than the broader influence of Spanish culture, which is essential to understanding the context of the art produced in that era.
The primary purpose of the passage centers on the influence of Spanish attitudes and practices on the painting of New Spain. This option highlights the relationship between cultural values and artistic expression, which is a central theme in the text. Option A is incorrect as it focuses solely on the historical aspect of guilds, which may be mentioned but is not the main focus. Option B misinterprets the passage's intent, as it does not primarily critique Spanish beliefs about manual labor. Option C, while related to art, narrows the focus to specific works rather than the broader influence of Spanish culture, which is essential to understanding the context of the art produced in that era.
The final paragraph suggests that seeing the woman has caused the narrator to
- A. face the negative feelings she has about her new home
- B. realize that she misses her mother more than she admits
- C. think about her own feelings about her family and background
- D. remember the reason she moved away from her home country
Correct Answer & Rationale
Correct Answer: C
The final paragraph indicates that the narrator's encounter with the woman prompts deep reflection on personal emotions and familial connections. This aligns with option C, as it emphasizes the narrator's introspection regarding her family and background. Option A is incorrect; while the narrator may have complex feelings about her new home, the focus is not solely on negativity. Option B suggests a specific longing for her mother, which is not explicitly stated in the text. Option D implies a focus on the reasons for moving, but the narrator's thoughts center more on her feelings than on past decisions. Thus, option C best captures the essence of the narrator's experience.
The final paragraph indicates that the narrator's encounter with the woman prompts deep reflection on personal emotions and familial connections. This aligns with option C, as it emphasizes the narrator's introspection regarding her family and background. Option A is incorrect; while the narrator may have complex feelings about her new home, the focus is not solely on negativity. Option B suggests a specific longing for her mother, which is not explicitly stated in the text. Option D implies a focus on the reasons for moving, but the narrator's thoughts center more on her feelings than on past decisions. Thus, option C best captures the essence of the narrator's experience.