(1) The term "film noir," meaning "dark cinema," or "black film" in French, was first used by French film critic Nino Frank in 1946 to describe a type of Hollywood film of the 1940s and 50s. (2) These films featured black-and-white cinematography, often with nighttime settings and menacing themes, suggesting an unstable world full of danger and moral corruption. (3) Dark shadows, streaks of bright light, and, off-balance compositions were all typical of the visual style. (4) These elements created an effect of disillusionment and bitter realism (5) Many of these elements were brought to Hollywood by German directors fleeing their war-torn land.
(6) Many of the stories and a lot of the attitude of classic film noir come from the hardboiled school of detective and crime fiction that became popular in the United States during the Great Depression. (7)
American writers such as Dashiell Hammett, whose novel The Maltese Falcon was made into one of the first big-budget film noirs, and James M. Cain being particularly influential. (8) Film noir can include a wide range of plots: the main character may be a private detective, a plainclothes policeman, an aging boxer, a con man, or a law-abiding citizen lured into a life of crime. (9) Betrayals and double-crosses also play an important role in many of these plots.
(10) Famous examples of film noir include Double Indemnity (1944), directed by Billy Wilder, The Big Heat (1953), directed by Fritz Lang; and Touch of Evil (1958), directed by Orsorr Welles. (11) Billy Wilder also directed many famous comedies, such as Some Like It Hot. (12) Although classic film noir is associated with American productions of the 1940s and '50s, many films from around the world and from the 1960s onward share many classic film noir traits. (13) For example, the films of Quentin Tarantino such as Pulp Fiction though, shot in color, have been heavily influenced by the genre of film noir.
What change needs to be made to sentence 7 (reproduced below) to make the sentence grammatically correct? American writers such as Dashiell Hammett, whose novel The Maltese Falcon was made into one of the first big-budget film noirs, and James M. Cain being particularly influential.
- A. Change 'such as' to 'like'
- B. Change 'whose' to 'which'
- C. Change 'was made' to 'making'
- D. Change 'being' to 'were'
Correct Answer & Rationale
Correct Answer: D
To ensure grammatical correctness, the verb form must agree with the subject. Option D, changing "being" to "were," corrects the sentence by providing a proper verb to match the plural subject "American writers." Option A, substituting "such as" with "like," does not address the grammatical issue and merely alters style without improving clarity. Option B's change from "whose" to "which" is incorrect since "whose" appropriately refers to the novel's author. Option C's shift from "was made" to "making" disrupts the intended meaning and does not resolve the grammatical error. Thus, only option D effectively corrects the sentence.
To ensure grammatical correctness, the verb form must agree with the subject. Option D, changing "being" to "were," corrects the sentence by providing a proper verb to match the plural subject "American writers." Option A, substituting "such as" with "like," does not address the grammatical issue and merely alters style without improving clarity. Option B's change from "whose" to "which" is incorrect since "whose" appropriately refers to the novel's author. Option C's shift from "was made" to "making" disrupts the intended meaning and does not resolve the grammatical error. Thus, only option D effectively corrects the sentence.
Other Related Questions
Which of the following, if true, would best serve to challenge Ogburn and Thomas's belief that the discovery of calculus is an example of the 'phenomenon' mentioned in the first sentence?
- A. Uncovering the existence of a journal that Newton kept while working with calculus
- B. Learning that scientists other than Newton and Leibniz had also made substantial progress on calculus
- C. Finding a previously unknown letter between Newton and Leibniz discussing calculus that predated its commonly assumed discovery
- D. Identifying a minor error in Newton's original mathematical calculations
Correct Answer & Rationale
Correct Answer: C
Option C effectively challenges Ogburn and Thomas's belief by suggesting that the discovery of calculus was not as isolated as previously thought. A letter between Newton and Leibniz predating the commonly accepted timeline implies prior knowledge or collaboration, undermining the notion of a singular 'phenomenon.' Option A, while interesting, does not directly challenge the notion of discovery but rather adds context to Newton's process. Option B highlights contributions from others but does not negate the significance of Newton and Leibniz’s roles. Option D points to an error that could suggest flaws in Newton's work but does not impact the legitimacy of the discovery itself.
Option C effectively challenges Ogburn and Thomas's belief by suggesting that the discovery of calculus was not as isolated as previously thought. A letter between Newton and Leibniz predating the commonly accepted timeline implies prior knowledge or collaboration, undermining the notion of a singular 'phenomenon.' Option A, while interesting, does not directly challenge the notion of discovery but rather adds context to Newton's process. Option B highlights contributions from others but does not negate the significance of Newton and Leibniz’s roles. Option D points to an error that could suggest flaws in Newton's work but does not impact the legitimacy of the discovery itself.
The English monarch Elizabeth I may have wanted the miniature portraits of herself and her disgraced mother kept secret, since they were her ring.
- A. concealed within
- B. carved upon
- C. displayed beside
- D. different from
Correct Answer & Rationale
Correct Answer: A
The term "concealed within" accurately reflects the desire to keep the portraits secret, suggesting they were hidden or kept away from public view. This aligns with Elizabeth I's intent to protect her image and her mother's reputation. Option B, "carved upon," implies a physical alteration or decoration, which does not convey secrecy. Option C, "displayed beside," suggests visibility and openness, contradicting the idea of keeping the portraits secret. Option D, "different from," does not relate to the concept of secrecy and fails to address the context of the portraits' significance.
The term "concealed within" accurately reflects the desire to keep the portraits secret, suggesting they were hidden or kept away from public view. This aligns with Elizabeth I's intent to protect her image and her mother's reputation. Option B, "carved upon," implies a physical alteration or decoration, which does not convey secrecy. Option C, "displayed beside," suggests visibility and openness, contradicting the idea of keeping the portraits secret. Option D, "different from," does not relate to the concept of secrecy and fails to address the context of the portraits' significance.
Which of the following, if true, would most challenge the 'implication' mentioned in the fourth sentence?
- A. Çatalhöyük's farmers obtained through trade the wheat and barley that Rosen analyzed.
- B. Çatalhöyük's farmers understood the impact of soil conditions on crop productivity.
- C. Çatalhöyük's farmers shared wheat and barley fields with neighboring villages.
- D. Çatalhöyük's farmers used wood that deteriorated in the damp environment.
Correct Answer & Rationale
Correct Answer: A
Option A challenges the implication by suggesting that the wheat and barley analyzed by Rosen were not locally produced but rather obtained through trade. This undermines any claims about the agricultural practices or productivity of Çatalhöyük's farmers. Option B, while informative about farmers' understanding, does not directly dispute the source of the crops. Option C introduces a communal aspect to farming but does not negate the potential local production of wheat and barley. Option D discusses environmental factors affecting wood, which is unrelated to the production or sourcing of crops and does not challenge the implication at all.
Option A challenges the implication by suggesting that the wheat and barley analyzed by Rosen were not locally produced but rather obtained through trade. This undermines any claims about the agricultural practices or productivity of Çatalhöyük's farmers. Option B, while informative about farmers' understanding, does not directly dispute the source of the crops. Option C introduces a communal aspect to farming but does not negate the potential local production of wheat and barley. Option D discusses environmental factors affecting wood, which is unrelated to the production or sourcing of crops and does not challenge the implication at all.
The ancient Greek writer Herodotus was inordinately as historical facts. blithely accepting wildly improbable legends
- A. imperious
- B. prolific
- C. credulous
- D. derisive
Correct Answer & Rationale
Correct Answer: C
Herodotus displayed a tendency to accept stories without skepticism, indicating a belief in their truthfulness, which aligns with the meaning of "credulous." Option A, "imperious," suggests an overbearing attitude, which does not fit his acceptance of legends. Option B, "prolific," refers to someone who produces a lot of work and does not pertain to his approach to historical facts. Option D, "derisive," implies mockery or disdain, contrasting with his acceptance of various narratives. Thus, "credulous" accurately captures Herodotus's inclination to accept improbable legends as historical truth.
Herodotus displayed a tendency to accept stories without skepticism, indicating a belief in their truthfulness, which aligns with the meaning of "credulous." Option A, "imperious," suggests an overbearing attitude, which does not fit his acceptance of legends. Option B, "prolific," refers to someone who produces a lot of work and does not pertain to his approach to historical facts. Option D, "derisive," implies mockery or disdain, contrasting with his acceptance of various narratives. Thus, "credulous" accurately captures Herodotus's inclination to accept improbable legends as historical truth.