In many accounts of the American West, the Lewis and Clark expedition (1803–1806) mistakenly marks the beginning of recorded history, with the captains' journals constituting a baseline of information about the region. The earlier history of the West is frequently seen as an unimportant backstory. Although the Lewis and Clark expedition was a momentous event, it was only a subplot in a historical drama of time, place, and people that had been playing for thousands of years. The 'new lands' that Lewis and Clark explored were in fact very old: the explorers did not bring the West into United States history—they brought the United States into the history of the West.
In context, the metaphor in the third sentence ('it was only a subplot in a historical drama of time, place, and people that had been playing for thousands of years') chiefly serves to:
- A. call attention to the age of the United States as a nation
- B. question the literary value of the writings by Lewis and Clark
- C. trivialize the accomplishments of the Lewis and Clark expedition
- D. place the Lewis and Clark expedition into a broad context
Correct Answer & Rationale
Correct Answer: D
The metaphor emphasizes the Lewis and Clark expedition as part of a much larger historical narrative, illustrating its significance within the vast timeline of human events. This context helps readers understand that while the expedition was important, it is just one chapter in a much larger story. Option A incorrectly focuses solely on the age of the United States, missing the broader historical context. Option B misinterprets the metaphor by suggesting it critiques the literary value of the writings, which is not the focus. Option C wrongly implies that the metaphor diminishes the expedition's significance, whereas it actually situates it within a grander narrative.
The metaphor emphasizes the Lewis and Clark expedition as part of a much larger historical narrative, illustrating its significance within the vast timeline of human events. This context helps readers understand that while the expedition was important, it is just one chapter in a much larger story. Option A incorrectly focuses solely on the age of the United States, missing the broader historical context. Option B misinterprets the metaphor by suggesting it critiques the literary value of the writings, which is not the focus. Option C wrongly implies that the metaphor diminishes the expedition's significance, whereas it actually situates it within a grander narrative.
Other Related Questions
The narrator primarily portrays the woman she is observing as someone who is:
- A. modest and self-effacing
- B. imposing and dignified
- C. youthful and energetic
- D. angry and impatient
Correct Answer & Rationale
Correct Answer: B
The portrayal of the woman emphasizes her imposing and dignified presence, suggesting strength and confidence. This is evident through her posture and the way she commands attention in her environment. Option A, modest and self-effacing, contradicts the strong impression she leaves, as she does not appear to shy away from the spotlight. Option C, youthful and energetic, overlooks the woman's gravitas and maturity, focusing instead on a fleeting quality. Option D, angry and impatient, misrepresents her demeanor, which is more composed and authoritative than reactive. Thus, the emphasis on dignity and presence aligns best with the narrator's observations.
The portrayal of the woman emphasizes her imposing and dignified presence, suggesting strength and confidence. This is evident through her posture and the way she commands attention in her environment. Option A, modest and self-effacing, contradicts the strong impression she leaves, as she does not appear to shy away from the spotlight. Option C, youthful and energetic, overlooks the woman's gravitas and maturity, focusing instead on a fleeting quality. Option D, angry and impatient, misrepresents her demeanor, which is more composed and authoritative than reactive. Thus, the emphasis on dignity and presence aligns best with the narrator's observations.
The author's description focuses mainly on Coleman's:
- A. humility
- B. audacity
- C. creativity
- D. generosity
Correct Answer & Rationale
Correct Answer: B
The author's description emphasizes Coleman's audacity, showcasing his boldness and willingness to take risks in pursuit of his goals. This trait is pivotal in illustrating his character and driving force. Option A, humility, is not a central theme; instead, Coleman's confidence is highlighted. Option C, creativity, while relevant, is secondary to his audacious nature, which propels his innovative ideas. Option D, generosity, does not align with the primary focus, as the text centers on his daring actions rather than acts of giving. Thus, audacity stands out as the defining characteristic.
The author's description emphasizes Coleman's audacity, showcasing his boldness and willingness to take risks in pursuit of his goals. This trait is pivotal in illustrating his character and driving force. Option A, humility, is not a central theme; instead, Coleman's confidence is highlighted. Option C, creativity, while relevant, is secondary to his audacious nature, which propels his innovative ideas. Option D, generosity, does not align with the primary focus, as the text centers on his daring actions rather than acts of giving. Thus, audacity stands out as the defining characteristic.
In context, 'Telemundo' and 'Ms. magazine' serve as examples of media that:
- A. devised similar marketing techniques
- B. were created by the same media visionary
- C. underwent profound changes as a result of Johnson's work
- D. were designed to appeal to particular groups of consumers
Correct Answer & Rationale
Correct Answer: D
Both 'Telemundo' and 'Ms. magazine' were designed to cater to specific audiences, focusing on the needs and interests of their respective consumer groups. Telemundo targets the Hispanic community, providing culturally relevant content, while Ms. magazine addresses feminist issues and women’s rights. Option A is incorrect as there is no evidence that both utilized similar marketing techniques. Option B is misleading; they were not created by the same visionary. Option C is inaccurate; while Johnson's work influenced media, it did not specifically lead to profound changes in either outlet.
Both 'Telemundo' and 'Ms. magazine' were designed to cater to specific audiences, focusing on the needs and interests of their respective consumer groups. Telemundo targets the Hispanic community, providing culturally relevant content, while Ms. magazine addresses feminist issues and women’s rights. Option A is incorrect as there is no evidence that both utilized similar marketing techniques. Option B is misleading; they were not created by the same visionary. Option C is inaccurate; while Johnson's work influenced media, it did not specifically lead to profound changes in either outlet.
In the second sentence of the passage ('a giant Saturn moon rocket dismantled into pieces for tourists to inspect, like lengths of fossilized bone from a mythic biotech dragon'), the simile primarily emphasizes the rocket's:
- A. dominance
- B. obsolescence
- C. superior engineering
- D. appeal to newcomers
Correct Answer & Rationale
Correct Answer: B
The simile compares the dismantled rocket to "fossilized bone from a mythic biotech dragon," highlighting its obsolescence. This imagery suggests that the rocket, once a marvel of technology, now resembles relics of a bygone era, evoking a sense of nostalgia rather than functionality. Option A, dominance, does not apply here, as the imagery does not convey power or superiority. Option C, superior engineering, is contradicted by the notion of the rocket being dismantled and inspected, which implies it is no longer operational. Option D, appeal to newcomers, is less relevant; the focus is more on the rocket's past significance than its current allure.
The simile compares the dismantled rocket to "fossilized bone from a mythic biotech dragon," highlighting its obsolescence. This imagery suggests that the rocket, once a marvel of technology, now resembles relics of a bygone era, evoking a sense of nostalgia rather than functionality. Option A, dominance, does not apply here, as the imagery does not convey power or superiority. Option C, superior engineering, is contradicted by the notion of the rocket being dismantled and inspected, which implies it is no longer operational. Option D, appeal to newcomers, is less relevant; the focus is more on the rocket's past significance than its current allure.